It is useful to study literature in a hierarchy:
Literature → Forms → Sub-forms/Genres → Important examples → Important writers
1. Poetry
Poetry is literature written mainly in verse, using rhythm, imagery, sound, and figurative language.
| Form / Sub-form | Meaning | Important examples |
|---|---|---|
| Epic | Long narrative poem about heroic deeds | Paradise Lost — John Milton; The Faerie Queene — Edmund Spenser |
| Mock-epic | Uses epic style to treat a trivial subject humorously | The Rape of the Lock — Alexander Pope |
| Ballad | Narrative poem, often about love, adventure, tragedy or the supernatural | The Rime of the Ancient Mariner — S. T. Coleridge |
| Lyric | Short poem expressing personal feelings/emotions | Ode to a Nightingale — John Keats |
| Ode | Formal lyric poem addressing and praising a person, thing or idea | Ode to the West Wind — P. B. Shelley |
| Elegy | Poem expressing sorrow, especially for the dead | Elegy Written in a Country Churchyard — Thomas Gray |
| Sonnet | 14-line poem with a particular rhyme structure | Shakespeare's Sonnets; On His Blindness — John Milton |
| Dramatic monologue | One speaker reveals thoughts while addressing a silent listener | My Last Duchess — Robert Browning |
| Pastoral | Idealised depiction of rural/shepherd life | Lycidas — John Milton |
| Spenserian stanza | 9-line stanza developed by Edmund Spenser | The Faerie Queene |
| Terza rima | Three-line interlocking rhyme scheme | The Divine Comedy — Dante; Ode to the West Wind — Shelley |
| Blank verse | Unrhymed iambic pentameter | Paradise Lost — Milton; Hamlet — Shakespeare |
| Free verse | Poetry without a fixed metre or rhyme scheme | The Waste Land — T. S. Eliot |
| Villanelle | 19-line poem with repeated lines | Do Not Go Gentle into That Good Night — Dylan Thomas |
| Limerick | Five-line humorous poem, usually with AABBA rhyme | Edward Lear's limericks |
| Haiku | Very short Japanese poetic form | Bashō's haiku |
2. Drama
Drama is literature written to be performed on stage.
Major dramatic forms
| Form / Sub-form | Meaning | Important examples |
|---|---|---|
| Tragedy | Serious drama ending in suffering or downfall | Hamlet — Shakespeare; King Lear — Shakespeare |
| Comedy | Drama designed primarily to create humour and usually ending happily | As You Like It — Shakespeare |
| Tragicomedy | Combination of tragic and comic elements | The Winter's Tale — Shakespeare |
| History play | Drama based on historical events/figures | Henry IV — Shakespeare |
| Romantic comedy | Comedy involving love, mistaken identities and eventual union | Twelfth Night — Shakespeare |
| Problem play | Deals with controversial social/moral problems | Mrs Warren's Profession — G. B. Shaw |
| Farce | Highly exaggerated comedy based on absurd situations | The Importance of Being Earnest — Oscar Wilde |
| Melodrama | Dramatic work with exaggerated emotions and clear good/evil characters | The Lady of Lyons — Bulwer-Lytton |
| Morality play | Medieval allegorical drama presenting moral lessons | Everyman |
| Mystery play | Medieval drama based on Biblical stories | The Second Shepherds' Play |
| Miracle play | Medieval drama based on saints' lives or miracles | The Play of the Sacrament |
| Interlude | Short medieval dramatic entertainment | Fulgens and Lucres — Henry Medwall |
| Masque | Elaborate court entertainment combining drama, music, dance and spectacle | Comus — Milton |
| One-act play | Drama consisting of a single act | Riders to the Sea — J. M. Synge |
| Closet drama | Drama intended mainly for reading rather than performance | Manfred — Lord Byron |
| Absurd drama | Presents the meaninglessness/irrationality of human existence | Waiting for Godot — Samuel Beckett |
| Epic theatre | Theatre designed to make audiences think critically rather than simply become emotionally involved | Mother Courage and Her Children — Bertolt Brecht |
3. Fiction / Prose Fiction
Fiction is imaginary narrative prose.
A. Novel
A novel is a long fictional prose narrative.
| Type of novel | Important example |
|---|---|
| Historical novel | Ivanhoe — Walter Scott |
| Gothic novel | The Castle of Otranto — Horace Walpole |
| Epistolary novel | Pamela — Samuel Richardson |
| Picaresque novel | Tom Jones — Henry Fielding |
| Bildungsroman | David Copperfield — Charles Dickens |
| Psychological novel | Mrs Dalloway — Virginia Woolf |
| Stream-of-consciousness novel | Ulysses — James Joyce |
| Social novel | Hard Times — Charles Dickens |
| Regional novel | Far from the Madding Crowd — Thomas Hardy |
| Detective novel | The Hound of the Baskervilles — Arthur Conan Doyle |
| Science-fiction novel | The Time Machine — H. G. Wells |
| Satirical novel | Gulliver's Travels — Jonathan Swift |
| Allegorical novel | Animal Farm — George Orwell |
| Dystopian novel | Nineteen Eighty-Four — George Orwell |
| Utopian novel | Utopia — Thomas More |
| Romance novel | Jane Eyre — Charlotte Brontë |
| Campus novel | Lucky Jim — Kingsley Amis |
| Autobiographical novel | David Copperfield — Charles Dickens |
B. Short Fiction
| Form | Meaning | Example |
|---|---|---|
| Short story | Brief fictional narrative | The Tell-Tale Heart — Edgar Allan Poe |
| Novella | Longer than a short story but shorter than a novel | The Turn of the Screw — Henry James |
| Novelette | Shorter than a novella, generally longer than a short story | The Metamorphosis — Franz Kafka |
| Parable | Simple story conveying a moral/religious lesson | The Good Samaritan |
| Fable | Short story, often using animals, with a moral | The Tortoise and the Hare |
| Fairy tale | Traditional story involving magic or supernatural elements | Cinderella |
| Ghost story | Fiction involving ghosts/supernatural elements | The Canterville Ghost — Oscar Wilde |
4. Non-fiction Prose
These works are generally based on real people, events, ideas or experiences.
| Form / Sub-form | Important example |
|---|---|
| Essay | Of Studies — Francis Bacon |
| Personal essay | Essays of Charles Lamb |
| Critical essay | The Function of Criticism at the Present Time — Matthew Arnold |
| Periodical essay | The Spectator essays — Addison and Steele |
| Biography | The Life of Samuel Johnson — James Boswell |
| Autobiography | The Prelude — William Wordsworth |
| Memoir | A Room of One's Own — Virginia Woolf |
| Diary | The Diary of Samuel Pepys |
| Travel writing | A Sentimental Journey — Laurence Sterne |
| Letters / Epistolary writing | Letters from a Stoic — Seneca |
| Sermon | Sermons — John Donne |
| Speech / Oration | Gettysburg Address — Abraham Lincoln |
| Literary criticism | Biographia Literaria — S. T. Coleridge |
| History | History of the Peloponnesian War — Thucydides |
5. Literary Forms Based on Length
This is particularly useful for objective questions.
Poetry
Epic → long narrative poem
Ballad → narrative poem
Ode → serious lyric poem
Elegy → mourning/death
Sonnet → 14 lines
Lyric → personal emotion
Dramatic monologue → one speaker
Fiction
Novel → longest major prose fiction
Novella → between novel and short story
Novelette → between short story and novella
Short story → brief prose fiction
A useful approximate hierarchy is:
Novel > Novella > Novelette > Short Story
6. Important Forms You Should Not Confuse
Sonnet vs Ode vs Elegy
Sonnet → 14 lines
Ode → serious/praising lyric
Elegy → lament for the dead
Epic vs Mock-epic
Epic → serious heroic subject
→ Paradise LostMock-epic → trivial subject treated in an epic manner
→ The Rape of the Lock
Tragedy vs Comedy vs Tragicomedy
Tragedy → serious conflict + downfall
Comedy → humour + generally happy ending
Tragicomedy → mixture of tragedy and comedy
Biography vs Autobiography vs Memoir
Biography → life written by another person
Autobiography → one's own life story
Memoir → selected memories/experiences, usually focused on a particular period or theme
Allegory vs Fable vs Parable
Allegory → characters/events represent deeper ideas
Fable → usually animals + moral
Parable → simple story conveying a moral/religious lesson
7. High-Priority Forms ⭐
Poetry
Epic
Mock-epic
Ballad
Lyric
Ode
Elegy
Sonnet
Dramatic monologue
Pastoral
Blank verse
Free verse
Terza rima
Spenserian stanza
Villanelle
Drama
Tragedy
Comedy
Tragicomedy
Farce
Melodrama
Morality play
Mystery play
Miracle play
Masque
Problem play
Absurd drama
Epic theatre
Closet drama
Fiction
Novel
Novella
Short story
Historical novel
Gothic novel
Picaresque novel
Epistolary novel
Bildungsroman
Psychological novel
Stream-of-consciousness novel
Detective novel
Dystopian novel
Allegorical novel
Non-fiction
Essay
Periodical essay
Biography
Autobiography
Memoir
Diary
Travel writing
Literary criticism
Sermon
Speech

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